Thursday, July 17, 2008

ผลโหวต และภาพประกวด


กลับไปที่กระทู้ ประกวดภาพถ่าย



Toon

1 Toon 1

ชื่อภาพ :

ดอกบานเมื่อยามบ่าย

21 คะแนน

2 Toon 2

ชื่อภาพ :

ดอกขาวมาเป็นกลุ่ม

3 Toon 3

ชื่อภาพ :

ดาวล้อมเดือน



Snatee

4 Snatee 1

1 คะแนน


5 Snatee 2

20 คะแนน

6 Snatee 3



Natsuyakung

7 Nats 1

3 คะแนน

8 Nats 2

3 คะแนน

9 Nats 3



Ittipol (อิทธิพล)

10 Ittipol 1

11 Ittipol 2

12 Ittipol 3

7 คะแนน



Pop Cactus

13 Pop 1

14 Pop 2

15 Pop 3



Top



16 Top 1

6 คะแนน

17 Top 2


18 Top 3



Donut

19 Donut 1

20 Donut

26 คะแนน

21 Donut 3

3 คะแนน



Ratchapruk (ราชพฤกษ์)


22 Ratchapruk 1


23 Ratchapruk 2



24 Ratchapruk 3



Wee



25 Wee 1

ชื่อภาพที่01 shading

1 คะแนน






Sand

26 Sand 1

27 Sand 2

28 Sand 3



Art Nakonsawan (อาร์ต นครสวรรค์)

29 Art Nk 1

30 Art Nk 2


31 Art Nk 3



C904

32 C904-1

33 C904-2


34 C904-3



Pink

35 Pink 1

19 คะแนน

36 Pink 2

5 คะแนน

37 Pink 3

9 คะแนน



BEE

38 BEE 1

Uebelmannia

pectinifera var.

flavispina

39 BEE 2

Discocactus spp.

1 คะแนน

40 BEE 3

Frailea sp. f. cristata



Mhee


41 Mhee 1


42 Mhee 2



Ko-iSung

43 Ko-iSung 1

44 Ko-iSung 2

45 Ko-iSung 3



Otraman

46 Otraman 1

260 คะแนน

47 Otraman 2

62 คะแนน


48 Otraman 3

42 คะแนน



HiM

49 HiM 1

50 HiM 2

1 คะแนน

51 HiM 3



OhMo

52 OhMo 1

"นวลละอองผ่องใส"

1 คะแนน

53 OhMo 2

"โศกาอาลัย"

54 OhMo 3

"แสงทองส่องสุวรรณ"

210 คะแนน



mingmink

55 mingmink 1

59 คะแนน

56 mingmink 2

11 คะแนน

57 mingmink 3

1 คะแนน



Phatchara


58 Phatchara 1


59 Phatchara 2

60 Phatchara 3



art_army

61 art_army 1

Flower of Love

62 art_army 2

" มองหารักแท้"

63 art_army 3

"ตกอยู่ในภวังค์รักเธอ"



Art

64 Art 1

"ความแตกแยกใน..."

65 Art 2

"ความสับสนใน..."

66 Art 3

"ความขัดแย้ง และ

ผลประโยชน์ใน..."



Puan (ป่วน)

67 Puan 1

68 Puan 2

69 Puan 3



Fang

70 Fang 1

71 Fang 2

7 คะแนน

72 Fang 3



jeab

73 jeab 1

2 คะแนน

74 jeab 2

8 คะแนน

75 jeab 3



Yam

76 Yam 1



Pongsant

77 Pongsant 1

78 Pongsant 2

79 Pongsant 3



narttaya

80 narttaya 1

81 narttaya 2

82 narttaya 3



bass


83 bass 1

ยาวนาน

11 คะแนน

84 bass 2

ด้านดี

85 bass 3

ความเจ็บปวด

1 คะแนน



pochaco_j

86 poch 1

6 คะแนน

87 poch 2

9 คะแนน

88 poch 3



tonakira

89 tonakira 1

**หญิงเดียว**

90 คะแนน

90 tonakira 2

**พี่สาวกับน้องชาย**

43 คะแนน

91 tonakira 3

**ความหวัง**

51 คะแนน



Nathapong

92 Nathapong 1

วันสบายๆ

93 Nathapong 2

บันได

94 Nathapong 3

กระต่ายสีแดง

16 คะแนน



Toe

95 Toey 1

96 Toey 2

97 Toey 3

6 คะแนน



Jane

98 Jane 1

5 คะแนน

99 Jane 2

100 Jane 3


This category includes very high end professional equipment that can be assembled from modular components (winders, grips, lenses, etc.) to suit particular purposes. Common brands include Hasselblad and Mamiya. They were developed for medium or large format film sizes, as these captured greater detail and could be enlarged more than 35 mm. Typically these cameras are used in studios for commercial production; being bulky and awkward to carry they are rarely used in action or nature photography. They can often be converted into either film or digital use by changing out the back part of the unit, hence the use of terms such as a "digital back" or "film back". These cameras are very expensive (up to $40,000) and are typically not used by consumers. [edit] Line-scan camera systems A line-scan camera is a camera device containing a line-scan image sensor chip, and a focusing mechanism. These cameras are almost solely used in industrial settings to capture an image of a constant stream of moving material. Unlike video cameras, line-scan cameras use a single The move to digital formats was helped by the formation of the first JPEG and MPEG standards in 1988, which allowed image and video files to be compressed for storage. The first consumer camera with a liquid crystal display on the back was the Casio QV-10 in 1995, and the first camera to use CompactFlash was the Kodak DC-25 in 1996. The marketplace for consumer digital cameras was originally low resolution (either analog or digital) cameras built for utility. In 1997 the first megapixel cameras for consumers were marketed. The first camera that offered the ability to record video clips may have been the Ricoh RDC-1 in 1995. 1999 saw the introduction of the Nikon D1, a 2.74 megapixel camera that was the first digital SLR developed entirely by a major manufacturer, and at a cost of under $6,000 at introduction was affordable by professional photographers and high end consumers. This camera also used Nikon F-mount lenses, which meant film photographers could use many of the same lenses they already owned. Also in 1999, Minolta introduced the RD-3000 D-SLR at 2.7 megapixels. This camera found many professional adherents. Limitations to the system included the need to use Vectis lenses which were designed for APS size film. The camera was sold with 5 lenses at various focal lengths and ranges (zoom). Minolta did not produce another D-SLR until September 2004 when they introduced the Alpha 7D (Alpha in Japan, Maxxum in North America, Dynax in the rest of the world) but using the Minolta A-mount system from its 35 mm line of cameras. 2003 saw the introduction of the Canon EOS 300D, also known as the Digital Rebel, a 6 megapixel camera and the first DSLR priced under $1,000, and marketed to consumers. [edit] Image resolution The resolution of a digital camera is often limited by the camera sensor (typically a CCD or CMOS sensor chip) that turns light into discrete signals, replacing the job of film in traditional photography. The sensor is made up of millions of "buckets" that essentially count the number of photons that strike the sensor. This means that the brighter the image at that point the larger of a value that is read for that pixel. Depending on the physical structure of the sensor a color filter array may be used which requires a demosaicing/interpolation algorithm. The number of resulting pixels in the image determines its "pixel count". For example, a 640x480 image would have 307,200 pixels, or approximately 307 kilopixels; a 3872x2592 image would have 10,036,224 pixels, or approximately 10 megapixels. The pixel count alone is commonly presumed to indicate the resolution of a camera, but this is a misconception. There are several other factors that impact a sensor's resolution. Some of these factors include sensor size, lens quality, and the organization of the pixels (for example, a monochrome camera without a Bayer filter mosaic has a higher resolution than a typical color camera). Many digital compact cameras are criticized for having excessive pixels, in that the sensors can be so small that the resolution of the sensor is greater than the lens could possibly deliver. [Photo] Australian recommended retail price of Kodak digital cameras As the technology has improved, costs have decreased dramatically. Measuring the "pixels per dollar" as a basic measure of value for a digital camera, there has been a continuous and steady increase in the number of pixels each dollar buys in a new camera consistent with the principles of Moore's Law. This predictability of camera prices was first presented in 1998 at the Australian PMA DIMA conference by Barry Hendy and since referred to as "Hendy's Law".[9] Since only a few aspect ratios are commonly used (especially 4:3 and 3:2), the number of sensor sizes that are useful is limited. Furthermore, sensor manufacturers don't manufacture every possible sensor size but take incremental steps in sizes. For example, in 2007 the three largest sensors (in terms of pixel count) used by Canon are the 21.1, 16.6, and 12.8 megapixel CMOS sensors. The following is a table of sensors commercially used in digital cameras.


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